Video produced with Heidi Lau for her 2020 online event, comissioned by BRIC Media and Greenwood Cemetary.
Author: Brian Zegeer
Follies (A Three Body Problem)
Artnet Editor’s Pick: Death Cafe
A Sphinx: On the Hwang-Zegeer Biome, installation at Trestle Gallery
A Sphinx: On the Hwang-Zegeer Macrobiome
A Sphinx is a wall installation of photographic pigment prints on light wooden armatures mounted to the wall.
Fragmented images of my partner, my daughter, myself, and our domestic space are arranged upon the wall to evoke a 6th century B.C. carving of a Sphinx from modern-day Lebanon.
The work imagines our family as one large, single organism; a unified consumer, producer of waste, enactor of an inscrutable agency.
Over recent years, Science has shed new light on the role of the human microbiome (our resident bacteria and viruses) in collaborating with our native systems on every level, effectively becoming shared partners in achieving homeostasis. To a large extent, the ecosystem bounded by our flesh is the consolidation of many individuals, no “I” but “we”.
I see family as a fitting extension of this body ecology motif, and have noticed a decided sublimation of respective individual aims for the sake of greater familial goals in my own experience of family. The Hwang-Zegeer “macrobiome” effects its own will.
Our macrobiome coheres to the shape of a Sphinx as a nod to the heterogenous nature of this organism, but also points to tendencies in families to harden around traditional structures of belief and behavior. The sphinx is a reference to my own Lebanese-American heritage, and to the forces that bind us to genealogical patterns, encourage precipitous growth in our carbon footprints, twist our bodies into better compliance with a monolithic will.
Works Available
Mixed-Media Drawings 2017-2018
2015-2018
Sculptures, 2018
Queens Museum Interview
The Golden Hour
archival inkjet prints decoupaged to plywood structure, embedded monitors with mixed-media animations, mixed-media.
13 by 10 by 3 feet
2017
Reinterpretation of our small living space in the manner of grandfather’s mother-of-pearl—inlaid backgammon table. Lines of inheritance. The room of my daughter’s first year of life.
Created for Near & Dear, EFA Project Space, Curated by Carrie Moyer
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